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嘉德通讯117期·焦点 瓷器工艺品
2018-03-06

  2017年是中国嘉德(香港)成立五周年志庆,在两季度的拍卖中,「中国瓷器工艺品部」斩获1亿9,130万港元的成交金额。 2018年春,中国嘉德香港瓷器工艺品部秉承严格审慎,方能以恒的原则,四海斩棘,继续为广大藏家甄选精品。此次春拍,我们将携「抟泥幻化——中国古代陶瓷」、「玉质金相——中国古代玉器艺术珍品」及「观古——瓷器珍玩工艺品」,合计500多件珍品与众位藏家同好见面。

  本期「抟泥幻化——中国古代陶瓷」专场将呈现逾60件套拍卖品,重点推出数个同一收藏的专题版块:「日本重要财团」、「台湾书香斋」、「可以清心——香港私人藏茶器具」等,值得关注。其中三件宋、金、元时期的磁州窑类型器:黑釉刻划牡丹纹小口瓶、绿釉黑花牡丹纹瓶、黑釉剔花牡丹纹罐,格外精彩。继续秉承重来源、重品相、重知识、重引导的宗旨,将每位藏者于高古瓷收藏的视野与情怀,文化与意趣,心得与体会,淋漓尽致地诠释出来。

  「玉质金相——中国古代玉器艺术珍品」将延续传统集古代美玉之珍,整体呈现近200件精美玉器,18/19世纪青白玉刻如意纹梅瓶为个中翘楚,本品梅瓶形制,若少女亭亭,肩部起宽弦纹,上饰乳钉纹,腹部上下皆以两道回纹为区隔,中央饰抽象如意纹,近足处亦与肩部同饰,可谓之精妙;另有18/19世纪青玉水牛一件,立体圆雕,四足蜷卧,双目圆睁,额头阴刻螺旋形卷发,筋腱显露,形态可掬,辅以底座,更添古韵;清代白玉仿古饕餮纹圭如温且纯,细若凝脂,为上等白玉制成,圭腹以乳钉纹为两段区隔,饰一小一大两个兽面纹,怒目圆睁,颇有上古风范。清嘉庆白玉高浮雕龙纹福寿如意值得藏家注目,此件如意以玉石整料制成,洁白温润,晶莹剔透,如意头上浅浮雕寿桃累累,枝叶阴阳相背翻转自如,柄上高浮雕苍龙匍匐,凶猛非常,末端浅浮雕佛手瓜纹,均有皇家贺寿之意。造型雍容端庄,值得纳藏。

  「观古——瓷器珍玩工艺品」甄选瓷器、玉器、文玩杂项等各品类珍品近300件,以飨藏家同好。其中值得关注是一件清乾隆剔彩寿春宝盒。「春」字具有一年复始,万物更新之意。故此这系列象征长寿和新生祥瑞宝盒、是乾隆皇帝在春节和庆贺大寿时不可或缺之御用器物。另有一件清代乾隆铜胎掐丝珐琅缠枝莲纹龙耳长方炉值得关注,整器掐丝粗细均匀流畅,花茎采用双勾技法掐丝。鎏金较厚,金碧辉煌的视觉效果尤为突出,为乾隆时期典型特征。此品在2005年伦敦S. Marchant & Son 展览。另一明代嘉靖青花龙凤纹葫芦瓶是嘉靖时期大型琢器的代表作品,此品花纹精美,龙凤极富神韵,实属难得。

2017 marked the fifth year China Guardian (Hong Kong) set foot in the bustling city of Hong Kong. In the past year, the Chinese Ceramics and Works of Art Department has proudly achieved a total of HK$ 191 million. For the upcoming 2018 Spring Auction, we will be presenting a total of three sales spanning a variety of collecting categories.

“Ancient Chinese Ceramics from the Tang to the Song Dynasty” is a dedicated sale offering over 60 superb examples of early wares from this high period of ceramic production. This is the fourth consecutive season of specialised sales in this category leading the way in this field in Hong Kong. There are a number of important private collections—such as an Important Japanese Private Collection, the Shuxiangzhai Collection from Taiwan, and a Hong Kong Private Collection of tea wares. Of particular interest is the Green Ground Painted Cizhou ‘Peony’ Vase from the Northern Song Dynasty, a Carved Black-Glazed ‘Peony’ Vase from the Northern Song Dynasty and a Fine Carved Black-glazed Cizhou ‘Peony’ Jar from the Jin-Yuan Dynasty.

“Virtue & Purity – A Selection of Fine Chinese Jade Carvings” will include nearly 200 pieces in the sale this time. A highlight of the sale is the Pale Celadon Jade Vase, Meiping, 18th/19th Century; the large and evenly-coloured stone beautifully worked in simulating archaic bronze vessels further decorated with auspicious archaistic ruyi motifs. Another highlight is the Celadon Jade Water Buffalo, 18th/19th Century; the magnificent recumbent creature resting with four feet tucked under its cumbersome body, its head turned right revealing a powerful gaze framed by a pair of sturdy horns, and its finely incised tail naturalistically swept to the right. Other highlights include the Archaistic White Jade Axe-Head; the semi-translucent body resembles mutton-fat consistency and is considered amongst the highest quality white jade, the body is intricately worked with bands of taotie motif. Another is the superb White Jade Sceptre; the Imperial grandeur of the sceptre is represented by the auspicious peach and finger citron fruits together with a withering dragon worked in high relief.

“Fine Chinese Ceramics and Works of Art” will include a carefully selected group of ceramics and works of art, jades, Buddhist art and scholar’s objects. Of particular note is a Finely Carved Polychrome Lacquer ‘Chun’ Box and Cover with a four-character incised and gilt inscription shouchunbaohe and a six character incised and gilt-Qianlong mark. The character chun (‘spring’) is centred within a circular panel. This type of precious box is a representation of longevity and spring; Emperor Qianlong often used this type of auspicious box during Chinese New Year and birthday celebrations. Another important imperial work of art is the Cloisonné Enamel Rectangular Censer with Dragon Handles also bearing a Qianlong mark. It was exhibited at S. Marchant & Son London in 2005. Last but not least, there is the Blue and White ‘Dragon and Phoenix’ Double-Gourd Vase from the Jiajing period. This type of vase is a masterpiece among larger pieces from the Jiajing period with the auspicious imagery reflecting the Ming Emperor’s preoccupation with longevity.

嘉德通讯117期·焦点 瓷器工艺品

清乾隆 剔彩寿春宝盒

「大清乾隆年制」款、「寿春宝盒」款

A FINELY CARVED IMPERIAL POLYCHROME LACQUER 'CHUN' BOX AND COVER

Gilt-Incised Qianlong Six-Character Mark and of the Period (1736-1795)

30.5 cm. diam.

嘉德通讯117期·焦点 瓷器工艺品

清乾隆 铜胎掐丝珐琅缠枝莲纹龙耳长方炉

「乾隆年制」款

来源:

S. Marchant & Son,伦敦,2005年

展览:

Recent Acquisitions, S. Marchant & Son, 伦敦, 2005年, 图录编号76

A CLOISONNE ENAMEL RECTANGULAR CENSER WITH DRAGON HANDLES

Qianlong Four-Character Mark and of the Period (1736-1795)

Provenance:

S.Marchant & Son, London, 2005

Exhibited:

Recent Acquisitions, S. Marchant & Son, London, 2005, no. 76

31 cm. wide

嘉德通讯117期·焦点 瓷器工艺品

明至清 古墨一组九件

来源:日本私人旧藏;20世纪90年代购入

A GROUP OF NINE INK CAKES

Ming-Qing Dynasty (1368-1911)

Provenance:

A Private Japanese Collection, acquired in the 1990s

The largest 22 cm. wide

嘉德通讯117期·焦点 瓷器工艺品

明嘉靖 青花龙凤纹葫芦瓶

「大明嘉靖年制」款

A BLUE AND WHITE ‘DRAGON AND PHOENIX’ DOUBLE GOURD VASE

Jiajing Six-Character Mark and of the Period (1522-1566)

48 cm. high

嘉德通讯117期·焦点 瓷器工艺品

19世纪早期 绛色纱纳绣彩云金龙纹蟒袍

AN IMPERIAL CHESTNUT BROWN EMBROIDERED GAUZE DRAGON ROBE

Qing Dynasty, Early 19th Century

220 cm. long

嘉德通讯117期·焦点 瓷器工艺品

北宋 黑釉刻划花牡丹纹小口瓶

A CARVED BLACK-GLAZED 'PEONY' VASE

Northern Song Dynasty (AD 960-1127)

20.5 cm. high

嘉德通讯117期·焦点 瓷器工艺品

18/19世纪 青玉水牛

A celadon jade carving of a water buffalo

18th/19th Century

18.7 cm. wide